What happens to our favourite places when we are not around? The painter Gusztáv Keleti (1834–1902) tried to imagine. Painted in 1870, The Park of the Exile shows a once well-kept landscape garden, now abandoned and overgrown. The focus of the composition is a defunct fountain in the shape of two nymphs bathing, its dainty beauty poignantly contrasted with not only the scattered, dead remains of trees, but also a herd of pigs obliviously wandering around. The pigherd is sitting in the background under a big, old, sinewy tree, seemingly lost in thought. Further to the back, on the left-hand side of the composition, we can catch a glimpse of the mansion whose garden we have entered. The sky is overcast and the whole picture is atmospheric and moody in that late romantic way that makes us gasp at the beauty of a decayed branch, the flimsiest sprig of weed.